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Online Photo Sharing at KODAK Gallery
Free online photo sharing. Easily share photos with friends and family. Our online slideshows make your photos shine & allow viewers to add comments.

Flickr
Online digital photo and media file sharing web site which allows users to tag, browse, and send pictures.

Sharing photos online - HP Digital Photography Center
Learn how online share photos online with HP Photosmart Share and other tools.

Shutterfly
Online photograph printing service that transforms digital images into prints and mails them directly to individuals.

PhotoWorks
Offers digital and film prints, photo upload service, photo sharing software and accessories, frames, and more.

Smugmug
Offers ad-free photo sharing, printing, and customizing with advanced features such as bulk uploading and external linking.

Picasa Web Albums: free photos sharing from Google
Fast and easy photo sharing from Google. Share with friends and family, or explore public photos.

Photobucket.com
Image hosting and online photo albums.

Free Online Photo Sharing | Share Pictures Instantly | Shutterfly
Online photo sharing has online been easier. Build free photo sharing sites with Shutterfly's Share Sites platform. It's a quick and easy way to make ...

Snapfish
Provides film developing and online viewing and sharing services. Also offers personalized photo gifts and cards.

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Rey Fresco Interview: SXSW 2010

Filed under: Concerts and Tours

Rey Fresco is a four-member band that, in the past year, has absolutely exploded onto the California music scene. Comprised of soulful lead singer and Fiji native Roger Keiaho, drummer Andrew Jones (who builds his own drums), bassist Shawn Echevarria and harpist Xocoyotzin "Xoco" Moraza (who plays a 36-string Veracruz harp built by his father and also holds a degree in ethnomusicology), Rey Fresco is the sonic equivalent of a global summit. Their massive local draw resulted in Rey Fresco headlining and selling out the Ventura Theater, their hometown's largest venue. On the verge of their performance at SWSX, Spinner caught up with the band members to discuss everything from their unique sound to a big knife fight.

How would you guy's describe your sound?

We like to think our sound is fresh and clean, and very unique, because of the instrumental combination that is used. It has been called a little bit of everything. We have a fusion of world, soul, Latin, reggae, R&B and rock.

How did your band come together?

We all were friends since high school, and we grew up together. Andrew Jones and Xoco Moraza were the first to start jamming together. Shortly after, Shawn and Roger joined, and the band was formed.
Teenage Bottlerocket Interview: SXSW 2010

Filed under: Concerts and Tours

Teenage Bottlerocket, featured in Alternative Press magazine as a "Band You Need to Know in 2009," is bring their classic pop-punk sound to Austin's SXSW festival. Spinner caught up with singer/guitarist Ray Carlisle to discuss the origins of the TBR name, juggling the rock star lifestyle with a day job, and why TBR is "the cutest twin band since Nelson."

How did you guys get together?

Brandon and I used to play in a band called The Homeless Wonders, and we used to play with Kody's old band, The Lillingtons, all the time. Me and Brandon used to always play together, sort of like Alex and Eddie Van Halen -- we're the cutest twin band since Nelson. Miguel was just a punk rock kid playing in bands around Laramie and thumbing through his record collection. We have the best-friend lineup ... everything just worked out.

How did you get the name Teenage Bottlerocket?

Our first guitar player, Zach, who was in the band for, maybe, three months, came up with the name. It was based on a nickname that his dad had for this car he owned in high school. We just thought that it had the edge that we were looking for as far as the excitement of the name and then explanation of the sound -- explosive youthfulness and energy. But I might change my answer to something about the Wes Anderson movie, just because that's what everybody seems to think.
Product placement in videos, singles as jingles, ad photo shoots, these days, bands love brands
LOS ANGELES — In the music video for Lady Gaga's hit single "Bad Romance," the pop diva vamps across several nightmarish tableaux wearing a variety of barely there lingerie get-ups
Would you buy insurance from her? Apparently
You might not recognize Stephanie Courtney even if you were riding in a cramped elevator with her
DA C.O.D. Interview: SXSW 2010

Filed under: Concerts and Tours

The four members of the upbeat hip-hop group DA C.O.D. -- Lil J, S. Dot, Mr. Greezo and Tuk-Da-Gat -- will be heading to SXSW for the third time. Spinner recently spoke with Mr. Greezo about the group's return trip to the festival and DA C.O.D.'s plans for a new album release.

How would you describe your sound?

Soulful, Texas, international, gangster, conscious, hip-hop. C.O.D. is a more upbeat kind of tempo group. We have a real good live stage performance. We try to make a lot of uplifting-type of records. We definitely make it for the streets. We make music for college kids. We make music for a wide range of people that go to the club or really jam in their car.

How did the group form?

The group started in 2005, as far as the rap group. The C.O.D., which stands for the Circle of Death, is a neighborhood that S. Dot lived in, and Lil J and S. Dot grew up together. They've known each other since they were little kids. I showed up in the C.O.D. in 1999 and Tuk came around in 2000. That's just in this little neighborhood, where we met each other, we were hanging out, doin' all types of crazy things, and I was rappin' solo, and we just got together as a group after I got out of jail in 2005. Lil J and S. Dot were doing their own thing in the city. Since I rapped, it was natural for them to come to me. I put them on shows, and as time went on, we all got together. We put out our first collective mixed tape in 2007, and every year since then, we've dropped a new one. We've also put out other projects or what not.
The Depreciation Guild: "My Chariot"

Thanks to two of this band's members' other project, the Pains of Being Pure at Heart, blowing up last year, it's likely you will be hearing a lot more from the Depreciation Guild this year. Case in point: Pitchfork just premiered the first leak/single off the trio's upcoming Spirit Youth LP. "My Chariot" retains the spirt (no pun) of the band's chiptune/shoegaze foundation while providing a smoother, poppier, and altogether more uplifting sound. It will be interesting to hear how this fits into the rest of the album, especially because their debut, the very good In Her Gentle Jaws, was, like most shoegaze, a downer.

 

You can stream "My Chariot" at Pitchfork. Spirit Youth is due out May 18.

Boom Pam Interview: SXSW 2010

Filed under: Concerts and Tours

What has an electric guitar, drums, a tuba and a loads of Mediterranean spice? Boom Pam! Together since 2003, the members of the Tel Aviv band recently finished their third record, which will be available in mid-2010, following their appearance at SXSW. Spinner caught up with Boom Pam's guitarist, Uri Kinrot, to discuss the group's unique sound (did we mention there's a tuba?), his vices and his week-long hiatus from vegetarianism, the cause of which, of course, is the SXSW music festival.

How did your band form?

About seven years ago, my roommate, Uzi, and I, started jamming together a lot. We knew a tuba player, Yuval "Tubi" Zolotov, from high school, so we decided to include a tuba, rather than a bass guitar. About a year ago, Uzi moved to another band, who we still play with often. Before he left, we added a drummer, Itamar Levy (The Kid). Upon Uzi's departure, Boom Pam became a trio, including a guitar, a tuba and drums.

How did you come up with the band name?

Boom Pam is a song we used to play, which was a big hit in Israel in 1969. It's a song by Aris San, a Greek immigrant to Israel, whose style was Greek via electric guitar.

Coalesce, Harvey Milk: Harvey Milk, Coalesce, The Atlas Moth @ Middle East (Pics/Review)

Photo gallery and review of Harvey Milk, Coalesce, The Atlas Moth at the Middle East in Cambridge, MA ( March 9, 2010).

"How about Coalesce?  Fuck those guys.  I don't think we want them to open for us anymore."  So said Harvey Milk's Creston Spiers as he took the stage after the brutal all-out assault that Coalesce inflicted on themselves and anyone within striking distance.  Like a coiled snake Coalesce lashed out and punctured the air with their formidable fangs, the atonal roar of the band pushing Sean Ingram's anguished shrieks and screams to the upper limits.  Guitarist Jes Steineger didn't waste much time getting thoroughly acquainted with the audience, and during the third song without warning he launched straight over my head, into and onto the crowd with his guitar, still playing as he landed on the floor near crumpled PBR cans.  He would not be a stranger to the audience portion of the room as the night went on, and the abuse he laid out to his guitar would eventually leave him with a bleeding hand. Coalesce isn't a band I can see myself listening to at home much, but live they were incredibly invigorating.

Harvey Milk is probably best known for stretching out tones like industrial-strength taffy, the pauses in between the notes just as or more important than the notes themselves.  Like a lumbering brontosaurus trying to free itself from a tar pit, there is power, tension and inevitably a sinking feeling. Imagine the between breaths of a sperm whale as they leave the surface to dive to the bottomless depths of the ocean, ready to take on the giant squids in mortal combat; that's the size of pause I'm talking about.  They started out playing three new songs from their to-be released record, and these were ponderous slabs of rock power that made the sewer pipes beneath the building shiver and tremble.  The band takes some obvious crib notes from the Melvins, and like Buzzo et al they don't just wallow in one particular genre, but can play a variety of tones, tempos and styles.  Still, crushing sound is a core component no matter what the tempo, like they are attempting pile on note after note onto your chest until your lungs can't expand anymore.  Asphyxiation never felt so good.

The Atlas Moth had a bunch of guitars, a keyboard, a drummer with awesome hair and a singer with a mustache that Rollie Fingers would be proud to wax.  They also came with some negative energy caused by their trailer hitch breaking off the van on the drive down to the venue that day, coupled with equipment issues plaguing them, which fouled their mood even more. Not a bad set, but likely more enjoyable under different circumstances.

 

The Plastic Wave Interview: SXSW 2010

Filed under: Concerts and Tours

In the hubbub of SXSW, it's safe to say that most people don't think about the simplest of freedoms that we, as Americans, tend to take for granted. Many of the names that pepper this year's lineup would balk at the idea of risking life and limb simply to create and play music. Saeid Nadjafi, a.k.a. Natch, of the genre-bending, experimental Iranian brother and sister duo The Plastic Wave, took the time to speak with Spinner about the challenges the siblings face in their home country and the joy that can be shared by and through making music.

Can you describe your sound?

Well, basically, I am not interested in categorizing our music. It brings on too many limitations. If I want to say something, maybe I would say pop music, but I do not like to say something that limits what we can do.

How did you form The Plastic Wave?

I started this project more than three years ago with my sister. We did not have a special purpose to release any songs or any projects. The Plastic Wave was my solo project at the time. We played a show (together), and we got arrested by the Iranian police, and when I got out, I recorded my tracks again and revised them. And after a while, I knew I needed another singer on my solo project, so my sister joined me, and we recorded more songs, and we have put these tracks together to try and play festivals such as SXSW.
MGMT: MGMT Apologizes For "Flash Delirium"

You know that new MGMT track that leaked this week? The one that had fans either excited or in an angry uproar because it was so different? Turns out MGMT heard the latter cries of unhappiness. One half of the duo apologized for "Flash Delirium," a track nothing like the band's previous hits, in an interview with Spinner. Here's a snippet of what Ben Goldwasser revealed to the site:

"When we first wrote that song, we were laughing so hard. Andrew [VanWyngarden] just reminded me of that, that we thought it was the funniest thing we'd ever heard. And then we got used to it, it started to sound more normal. It's not a single, but we thought it was a good way to entice people to listen to the whole record. I'm sure there are plenty of people who think it's completely weird and not what they were expecting. I'm sorry."

So he's basically apologizing for the band taking their music in a different direction? Huh. Anyway, Congratulations drops April 13.

Constantines, Metric, Great Lake Swimmers Rule Canadian Music Week Indie Awards

Filed under: Concerts and Tours, Live It Out, Canada

Every festival needs a good closing party, and Canadian Music Week / Canadian Music Fest wrapped last night with the 10th annual Indie Awards, celebrating emerging independent Canadian artists in 28 categories (including a handful for international acts).

Held in a cavernous Royal York Hotel ballroom at Canadian Music Week headquarters and broadcast live-to-air on XM Radio, the award show has become as glitzy and slickly produced as any major show, complete with cameras on cranes and a full stadium-style light show during live performances on a massive stage.

The winners list saw a few hardworking indie veterans who are often overlooked for prizes finally get recognized, including fan favourites Metric, who took home the Favourite Album of the Year award for their stellar record 'Fantasies', and indie-rock bruisers the Constantines, who took the Favourite Group of the Year category.

"This is our first-ever award we've won as a band, so thank you," said guitarist Steve Lambke, looking genuinely surprised and grateful.

White Denim Interview: SXSW 2010

Filed under: Concerts and Tours

The members of Austin trio White Denim may have an unfair advantage, with SXSW rolling into their hometown every year, but they've earned their status as a formidable band. The rock group has managed to catch the ears of peers and industry types by playing their own brand of retro progressive rock, updated with elements of jazz and jam band flair. Their technical chops, combined with dizzying song structures, produce ebbing compositions, and 'Fits,' their newest release on Downtown Records, has the band poised to enter the 2010 SXSW festival with their highest buzz level yet. Spinner recently caught up with bass player Steve Terebecki before a rehearsal for the band's festival shows.

Describe the sound of the band.

We're a rock and roll band, except we don't really have regular formatting. We can tend to stray a bit. It's really sort of progressive rock, but more overall rock.

How did the band form?

I was in another band, and the other two guys were in a band, and they didn't have a bass player for a show one night, so they asked me to play. It sounded really good that night, and we've been playing together ever since. That was four years ago.
Stars, documentaries expected to shine at SXSW Film Conference and Festival
AUSTIN, Texas — The SXSW Film Conference and Festival was once considered a small fry compared with the gargantuan club-and-industry hop that makes up SXSW Music

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